torstai 14. marraskuuta 2013

KR 1992 risuja - Job 19:25

Niin sitä vain yllättyy, kun olettaa eikä tarkista:

Tämän päivän sana KR 1992 mukaan hätkähdytti
Minä tiedän, että lunastajani elää.
Hän sanoo viimeisen sanan maan päällä.
Job 19:25

Eräs upeimmista kohdista Jobin kirjassa - jossa niitä on monia - ja näinhän se on jo nuorena opittu Mannisen komitean käännöksenä
Mutta minä tiedän lunastajani elävän, 
ja viimeisenä hän on seisova multien päällä.
Job 19:25


Masoreettisessä alkutekstissä on kirjoitettuna
  ואני ידעתי גאלי חי ואחרון על־עפר יקום׃ 

Mistä ihmeestä KR 1992 väännös? Mitään selitystä ei anneta eikä alaviitettä.  

Septuagintan teksti on
 οἶδα γὰρ ὅτι ἀέναός ἐστιν ὁ ἐκλύειν με μέλλων ἐπὶ γῆς.

Dan tarjoaa tulkinnan LXX hankalalle kohdalle 19:25-26
οἶδα γὰρ ὅτι ἀέναός ἐστιν ὁ ἐκλύειν με μέλλων ἐπὶ γῆς. 
ἀναστήσαι τὸ δέρμα μου τὸ ἀνατλῶν ταῦτα· 
παρὰ γὰρ κυρίου ταῦτά μοι συνετελέσθη

For I know that the one who will release upon the earth is eternal, 
to raise my flesh which endures these, 
for from the Lord these things were accomplished for me.
Dan's blog (tuore maisteri, hän ei kerro enempää itsestään)


Risuja
Minusta KR 1992 näyttää suoranaiselta virheeltä ja aika pahalta sellaiselta ottaen huomioon vaikkapa G.F. Händelin rakkaimman aarian oratoriossa Messias "I know my Redeemer liveth!"

(I will happily stand corrected but this is awful...)


torstai 7. marraskuuta 2013

Valtaistuin

Istuu Isän Kaikkivaltiaan oikealla puolella

sedet ad dexteram Dei Patris omnipotentis

Ilmaus "oikealla puolella" tarkoittaa kakkosistuinta taivaallisessa valtaistuinsalissa. Kunnian valtaistuin.

Valtaistuimen edessä oli Raamatun aikoina usein matala astinlauta, johon kuvattiin vihollisia tallattavaksi.

Valtaistuin on vallan merkki, hallitsijan istuin, vierellä vasemmalla puolella usein kuningattaren istuin. Kruunu päässä, valtiaan sauva eli valtikka oikeassa kädessä - valtaa symbolisoivia merkkejä.

Kuningaskunnissa on valtaistuimia, tasavalloissa harvoin.

Muita merkittäviä penkkejä suomenkielessä ovat esimerkiksi
Tuomioistuin
Piispanistuin
Saarnatuoli
Mutta ministereillä on salkkunsa pikemmin kuin tuolinsa

Kuningaskuntien kielissä valta-istuin sanaa ei johdeta mistä tahansa kansan rahista, pallista tai tuolista.

Englanninkielessä toki on "tuolimies" tai yksinkertaisesti "tuoli", chairman, the Chair. Mutta siinä ei ei ole jotain ruler's chair vaan aivan oma kreikasta tuleva terminsä throne. Samasta taustasta tulee Ranskan trône.


Kohtaamme valtaistuimen aivan sivilisaation aamussa niin Mesopotamiassa kuin Egyptissä.

Dumuzid Inana myytissä Inana kulkee alempaan maailmaan ja haluaa syrjäyttää siellä valtaa pitävän ja istuutua hänen istuimelleen.
Kanaanilaisten Korkein jumala El kuvattiin heidän veistoksissaan valtaistuimella istuvaksi, kun tad väkevä Baal seisoo sonnin selässä.

Salomon temppelissä ei ollut Israelin Jumalan istuinta. Pikemmin se oli Hänen jalkojensa astinlauta.

Wikipedia kertoo:
Thrones were found throughout the canon of ancient furniture. The depiction of monarchs and deities as seated on chairs is a common topos in the iconography of the Ancient Near East.

The word throne itself is from Greek θρόνος (thronos), "seat, chair", in origin a derivation from the PIE root *dher- "to support" (also in dharma "post, sacrificial pole"). Early Greek Διὸς θρόνους (Dios thronous) was a term for the "support of the heavens", i.e. the axis mundi, which term when Zeus became an anthropomorphic god was imagined as the "seat of Zeus". In Ancient Greek, a "thronos" was a specific but ordinary type of chair with a footstool, a high status object but not necessarily with any connotaions of power. The Achaeans (according to Homer) were known to place additional, empty thrones in the royal palaces and temples so that the gods could be seated when they wished to be. The most famous of these thrones was the throne of Apollo in Amyclae.

The Romans also had two types of thrones- one for the Emperor and one for the goddess Roma whose statues were seated upon thrones, which became centers of worship.

Raamatussa on suomennettuna hilasterion, "armoistuin", mutta kyseessä on temppelissä kaikkeinpyhimmässä säilytetyn liitonarkun kansi.
The word "throne" in English translations of the Bible renders Hebrew כסא kissē'. The Pharaoh of the Exodus is described as sitting on a throne (Exodus 11:5, 12:29), but mostly the term refers to the throne of the kingdom of Israel, often called the "throne of David" or "throne of Solomon". The literal throne of Solomon is described in 1 Kings 10:18-20: "Moreover the king made a great throne of ivory, and overlaid it with the best gold.. The throne had six steps, and the top of the throne was round behind: and there were stays on either side on the place of the seat, and two lions stood beside the stays. And twelve lions stood there on the one side and on the other upon the six steps: there was not the like made in any kingdom." In the Book of Esther (5:3), the same word refers to the throne of the king of Persia.

The god of Israel himself is frequently described as sitting on a throne, referred to outside of the Bible as the Throne of God, in the Psalms, and in a vision Isaiah (6:1), and notably in Isaiah 66:1, YHWH says of himself "The heaven is my throne, and the earth is my footstool" (this verse is alluded to by Matthew 5:34-35).
Wikipedia
Wikipedia kertoo ytimekkäästi ja kattavasti myösvaltaistuimesta Uudessa Testamentissa
In the New Testament, the angel Gabriel also refers to this throne in the Gospel of Luke (1:32-33): "He will be great, and will be called the Son of the Highest; and the Lord God will give Him the throne of His father David. And He will reign over the house of Jacob forever, and of His kingdom there will be no end."

Jesus promised his Apostles that they would sit upon "twelve thrones", judging the twelve tribes of Israel (Matthew 19:28). John's Revelation states: "And I saw a great white throne, and him that sat on it, from whose face the earth and the heaven fled away" (Revelation 20:11).

The Apostle Paul speaks of "thrones" in Colossians 1:16. Pseudo-Dionysius the Areopagite, in his work, De Coelesti Hierarchia (VI.7) interprets this as referring to one of the ranks of angels (corresponding to the Hebrew Arelim or Ophanim). This concept was expanded upon by Thomas Aquinas in his Summa Theologica (I.108), wherein the thrones are concerned with carrying out divine justice.

In Medieval times the "Throne of Solomon" was associated with the Virgin Mary, who was depicted as the throne upon which Jesus sat. The ivory in the biblical description of the Throne of Solomon was interpreted as representing purity, the gold representing divinity, and the six steps of the throne stood for the six virtues. Psalm 45:9 was also interpreted as referring to the Virgin Mary, the entire Psalm describing a royal throne room.
Ex cathedra
From ancient times, bishops of the Roman Catholic, Eastern Orthodox, Anglican and other churches where episcopal offices exist, have been formally seated on a throne, called a cathedra (Greek: κάθεδρα, seat). Traditionally located in the sanctuary, the cathedra symbolizes the bishop's authority to teach the faith (hence the expression "ex cathedra") and to govern his flock.

"Ex cathedra" refers to the explicative authority, notably the extremely rarely used procedure required for a papal declaration to be 'infallible' under Roman Catholic Canon law. In several languages the word deriving from cathedra is commonly used for an academic teaching mandate, the professorial chair.
Wikipedia
Pietarin istuin
In the Roman Catholic Church, the Pope is an elected monarch, both under canon law as supreme head of the church, and under international law as the head of state -styled "sovereign pontiff"- of the Vatican City State (the sovereign state within the city of Rome established by the 1929 Lateran Treaty). Until 1870, the Pope was the elected monarch of the Papal States, which for centuries constituted one of the largest political powers on the divided Italian peninsula. To this day, the Holy See maintains officially-recognised diplomatic status, and papal nuncios and legates are deputed on diplomatic missions throughout the world.

The Pope's throne (Cathedra Romana), is located in the apse of the Basilica of St. John Lateran, his cathedral as Bishop of Rome.

In apse of Saint Peter's Basilica, above the "Altar of the Chair" lies the Cathedra Petri, a throne believed to have been used by St Peter himself and other earlier Popes; this relic is enclosed in a glit bronze casting and forms part of a huge monument designed by Gian Lorenzo Bernini.

Unlike at his cathedral, there is no permanent cathedra for the Pope in St Peter's Basilica, so a removable throne is placed in the Basilica for the Pope's use whenever he presides over a liturgical ceremony. Prior to the liturgical reforms that occurred in the wake of the Second Vatican Council, a huge removable canopied throne was placed above an equally removable dais in the choir side of the "Altar of the Confession" (the high altar above the tomb of St Peter and beneath the monumental bronze baldachin); this throne stood between the apse and the Altar of the Confession.

This practice has fallen out of use with the 1960s and 1970s reform of Papal liturgy and, whenever the Pope celebrates Mass in St. Peter's Basilica, a simpler portable throne is now placed on platform in front of the Altar of the Confession. However, whenever Pope Benedict XVI celebrated the Liturgy of the Hours at St Peter's, a more elaborate removable throne was placed on a dais to the side of the Altar of the Chair. When the Pope celebrates Mass on the Basilica steps facing St. Peter's Square, portable thrones are also used.

Paavin kannettava valtaistuin

In the past, the pope was also carried on occasions in a portable throne, called the sedia gestatoria. Originally, the sedia was used as part of the elaborate procession surrounding papal ceremonies that was believed to be the most direct heir of pharaonic splendor, and included a pair of flabella (fans made from ostrich feathers) to either side. Pope John Paul I at first abandoned the use of these implements, but later in his brief reign began to use the sedia so that he could be seen more easily by the crowds. However, he did not restore the use of the flabella. The use of the sedia was abandoned by Pope John Paul II in favor of the so-called "popemobile" when outside. Near the end of his pontificate, Pope John Paul II had a specially-constructed throne on wheels that could be used inside.

Prior to 1978, at the Papal conclave, each cardinal was seated on a throne in the Sistine Chapel during the balloting. Each throne had a canopy over it. After a successful election, once the new pope accepted election and decided by what name he would be known, the cardinals would all lower their canopies, leaving only the canopy over the newly elected pope. This was the new pope's first throne. This tradition was dramatically portrayed in the 1963 film, The Shoes of the Fisherman.
Wikipedia


Että semmonen esine ja semmosia ajatuksia ...